THIS PAGE PROVIDES YOU TO VIEW THE WORKS IN AN ALPHABETICAL ORDER, BY YEAR OR BY "ID"...
SO AS THEY WERE MEET IN THE STUDY AND THE REST OF MY HOME.
ID |
YEAR |
TITLE OF THE WORK |
INSCRIPTION |
153 | 1995 |
AT HOME15,5x24,5 cm ETCHING, AQUATINT, METHOD INK ON ZINC |
|
285 | 2000 |
AT STROMBOLI80x66 cm OIL ON WOOD |
ROSANNA WATCH STOBOLI, WHILE, PAINT MYSELF AND I LISTEN GILGAMESH OF FRANCO BATTIATO. |
296 | 1970 |
SLOTH44,4x35,1 cm INK ON PAPER |
THE SLOTH OF IMPURE SAGE. |
435 | 2014 |
ACQUISITION OF FUNDAMENTAL IMAGES20x29,5 cm COLORED INK ON PAPER |
MY NIECE ALBA IN A SMALL LANDSCAPE IN VILLARD DE LANS - VERCORS. |
306 | 1972 |
ACROBATS AND THE RETURN OF THE SOLDIER OF THE KINGDOM (DREAM)25x35 cm INK ON PAPER |
|
401 | 1981 |
DECORATION OF THE PORCH50x70 cm OIL ON CANVAS |
|
256 | 1991 |
ADFLICTORUM MATER40x60 cm OIL ON WOOD |
|
098 | 1991 |
TEENAGER80x60 cm OIL ON CANVAS |
|
025 | 1973 |
AFRODITE GENETRIX33x40 cm INK AND TEMPERA ON PAPER |
AFRODITE MOTHER AND DAUGHTER, THE SISTER OF HIS TRIAL PAREDRO DECEPTION CONSCIOUSNESS. |
332 | 1974 |
THE HANDLING60x50 cm OIL AND TEMPERA ON CANVAS |
|
402 | 1980 |
SUNRISE MANOR50x70 cm OIL ON CANVAS |
|
033 | 1986 |
SUMMER TREES25x35 cm OILY PASTEL ON PAPER |
|
012 | 1985 |
A SPRING TREE34,5x50 cm CHALKS AND INK ON PAPER |
ARE ONLY LACERATIONS DATES BY NOSTALGIA FOR EVENTS THAT MIGHT NEVER HAVE TO ABSORB IS LIKE THE FRAGILE IN DEEP. WEARS HARD FOR ETERNAL THAT YOU WILL NEVER REPEAT. |
415 | 1979 |
AT SOURCE12x12 cm RELIEF AND ACID DIRECT ON ZINC |
|
187 | 2000 |
STUDENTS29,5x39,4 cm TIP MECHANICAL ON PLEXIGLASS |
|
191 | 1987 |
IN THE MIRROR28,8x42,4 cm ETCHING, AQUATINT AND DRYPOINT ON IRON PLATE |
|
210 | 1986 |
IN THE MIRROR29,5x39,5 cm ETCHING, AQUATINT, RILIEF AND WHEELS ON ZINC |
|
411 | 1988 |
AT THE MIRROR120x120 cm OIL AND PASTEL ON CANVAS |
I REPORT IN THE REAL WORLD AS IF I ONLY LIVED IN THE DREAMS MODERATED FROM THE LIGHT. |
321 | 1975 |
SWING AND PARENTS25x35 cm INK AND MAKERS ON PAPER |
|
484 | 2017 |
THE PROFOUND SILENCE OF THE WHITE MOON27,5X25 cm MIXED TECHNIQUE ON WOOD |
WE DO NOT SEETHINGS AS THEY ARE, WE SEE THEM AS WE ARE - FROM THE TALMUD - |
336 | 1970 |
ILL FRIEND44,5x50 cm INK ON PAPER |
|
459 | 2016 |
ANGEL WHO READS A BOOK29,4x20,4 cm MIXED TECHNIQUE ON CARTON PLUME |
|
489 | 2020 |
SUBURBAN GUARDIAN ANGEL42X29,5 cm MIXED TECHNIQUE ON PAPER |
|
171 | 1990 |
ANGEL METER14,7x17 cm SOFT-GROUND, ACID DIRECT, METHOD INK, ETCHING ON ZINC |
|
269 | 1997 |
CORNER OF A GARDEN OF PROCIDA12,5x18 cm WATERCOLOR ON PAPER |
|
014 | 1985 |
CORNER IN THE STUDIO34,5x50 cm CHALKS AND INK ON PAPER |
|
175 | 1996 |
ANNUNCIATION16x24,7 cm ETCHING, AQUATINT ACID DIRECT ON PLATE ZINC |
|
146 | 1999 |
ANNOUNCEMENT51,3x36,7 cm OIL ON CARDBOARD |
|
334 | 1970 |
APPROACH41,2x50 cm INK ON PAPER |
|
226 | 1984 |
NOTES28x40 cm INK AND PASTEL ON PAPER |
|
362 | 1983 |
GOLDEN EAGLE25x35 cm COLORED INK ON PAPER |
|
419 | 2013 |
ARCHANGEL GABRIEL120x80 cm MIXED TECHNIQUE ON WOOD |
|
420 | 2013 |
ARCHANGEL GABRIEL - SECOND VERSION50x70 cm MIXED TECHNIQUE ON WOOD |
|
064 | 1966 |
HARMONY - PRIME FORM 150x70 cm TEMPERA ON PAPER |
|
073 | 1966 |
HARMONY - PRIME FORM 1050x70 cm TEMPERA ON PAPER |
|
074 | 1966 |
HARMONY - PRIME FORM 1150x70 cm TEMPERA ON PAPER |
|
075 | 1966 |
HARMONY - PRIME FORM 1250x70 cm TEMPERA ON PAPER |
|
076 | 1966 |
HARMONY - PRIME FORM 1350x70 cm TEMPERA ON PAPER |
|
077 | 1966 |
HARMONY - PRIME FORM 1450x70 cm TEMPERA ON PAPER |
|
065 | 1966 |
HARMONY - PRIME FORM 250x70 cm TEMPERA ON PAPER |
|
066 | 1966 |
HARMONY - PRIME FORM 348x66 cm TEMPERA ON PAPER |
|
067 | 1966 |
HARMONY - PRIME FORM 448x66 cm TEMPERA ON PAPER |
|
068 | 1966 |
HARMONY - PRIME FORM 548x66 cm TEMPERA ON PAPER |
|
069 | 1966 |
HARMONY - PRIME FORM 650x70 cm TEMPERA ON PAPER |
|
070 | 1966 |
HARMONY - PRIME FORM 750x70 cm TEMPERA ON PAPER |
|
071 | 1966 |
HARMONY - PRIME FORM 850x70 cm TEMPERA ON PAPER |
|
072 | 1966 |
HARMONY - PRIME FORM 950x70 cm TEMPERA ON PAPER |
|
207 | 1984 |
GOODBYE16,6x19,7 cm METHOD INK, ETCHING, DRYPOINT ON COPPER |
|
114 | 1983 |
THE RISE AND FALL OF THE ANGEL40x50 cm OIL AND TEMPERA ON PAPER MOUNTED FAESITE |
CANDID IS THE ANGEL WHEN SALT. L'IDOLO MARBLE HAS HEART COLD AND HAVE AVAILABILITY IN A HIDDEN JEWEL AND COLD. IN FALL IS JUST ONE BODY OF KNOWLEDGE OF EMPTY WORDS, A LANDLORD WITHOUT HEIRS TO BE ABLE TO FEED. THE ETERNAL MOVEMENT IN CIRCLE OF CONSCIENCE |
470 | 2016 |
ATTACK!40x50 cm MIXED TECHNIQUE ON WOOD |
IT IS FROM DISCOMFORT THAT ARISES VIOLENCE. |
315 | 1976 |
WAITING AT THE STATION18x28,2 cm INK ON PAPER |
|
118 | 2000 |
SELF PORTRAIT30x40 cm OIL ON POLYCARBONATE |
|
262 | 1994 |
SELF PORTRAIT WITH TWO PUPILS IN60x81 cm OIL ON WOOD |
|
131 | 1993 |
SELF PORTRAIT WITH THE WHEEL OF SATURN40x29,6 cm OIL ON COPPER |
|
177 | 1992 |
SELF PORTRAIT WITH THE WHEEL OF SATURN32x49,4 cm SOFT-GROUND, AQUATINT, RELIEF, ACID DIRECT ON ZINC |
OMNIA CLAMANS SUB SIGNA ROTANTIA COELI SED OMNIA SILENT SAPIENTIS RATIONE. ALL IT NOISE UNDER THE VAULT OF THE SKY, BUT ALL IS HUSH IN THE REASON OF THE WISE. - ROSANNA CASTALDO - THE SATURNO WHEEL HAS THE WIDE TEETH, THE SATURNO WHEEL HAS THE TIGHT TEETH. |
481 | 2018 |
SELF-PORTRAIT IN THE WORKROOM100X70 cm OIL ON CARTON PLUME |
|
360 | 1983 |
SELF ON THE HORSE25x35 cm COLORED INK ON PAPER |
|
340 | 1975 |
CHILD AND AMAZON25x35 cm INK ON PAPER |
|
352 | 1975 |
BIGA TRANSPORT25x35 cm INK ON PAPER |
|
107 | 2004 |
SKETCH FOR THE SELLER OF SMOKE20x29,7 cm TEMPERA AND BLACK PENCIL ON PAPER |
|
059 | 1974 |
GOOD NIGHT42,3x47,2 cm OIL AND TEMPERA ON CANVAS |
|
121 | 2001 |
THERE IS A NEW29,8x40 cm TEMPERA ON CARDBOARD |
|
083 | 1991 |
PUPPY4,9x4,9 cm WAX SOFT AND AQUATINT ON ZINC |
|
409 | 1979 |
FIREPLACE WITH FIRE30x40 cm OIL AND WHITE PENCIL ON CANVAS |
|
408 | 1979 |
FIREPLACE IN LIVING ROOM30x24 cm OIL AND WHITE PENCIL ON CANVAS |
|
161 | 2003 |
CARESS12,3x15,5 cm METHOD INK ON ZINC |
|
338 | 2004 |
CARESS66x80 cm OIL ON PANEL |
|
194 | 1993 |
DEAR FRIEND32,4x32 cm RELIEF, ETCHING, AQUATINT ACID DIRECT AND WHEEL ON ZINC |
THE HEART OF A FRIEND HOW FRAGILE IS A GLASS ANPOULE NARROW. AS I TOLD ME A DEAR FRIEND. |
263 | 1994 |
DEAR FRIEND60x81 cm OIL ON WOOD |
HE HAS BEHIND THE WORDS: APART SIT BEAUTIFUL SILENCE, QUICK IN FACE AND CAREFUL NOT FLY WORDS BEYOND THE THRESHOLD OF GRACES. FROM "THE GRAZIE" DI UGO FOSCOLO (FROM ROSANNA FOR ANTONIO) |
287 | 2005 |
DEAR INGRES74x81 cm OIL ON WOOD |
|
139 | 1982 |
CARRIAGE BY THE SEA18x24 cm OIL ON CANVAS |
|
371 | 1968 |
WATERFALL39,9x28,8 cm INK ON PAPER |
|
434 | 2014 |
LITTLE HOUSE ON VERCORS20x29,5 cm OIL AND COLORED INK ON PAPER |
|
143 | 1972 |
CASTOR AND POLLUX60x80 cm TEMPERA ON CANVAS |
|
292 | 1977 |
CASTORE AND POLLUCE70x120 cm MIXED ON CANVAS |
CHILDREN OF MIGHTY JUPITER AND LEDA ABANDONED THE STARRY SKY OLYMPIANS, AND HERE COME, CASTOR AND POLLUX, WITH CLEAN HEART. YOU THAT MOVE ON EARTH IMMENSE AND SEA, WITH HORSES PUSHING MEN TO DEATH. THAT TO SKIP ON TREES, AND DATES LIGHT IN THE DARK WOOD - TEXT IN ITALIAN AND GREEK |
392 | 1975 |
KNIGHTS40x50 cm OIL AND TEMPERA ON CANVAS |
|
473 | 2016 |
KNIGHTS IN POSILLIPO24x32 cm TEMPERA ON PAPER |
|
427 | 2011 |
CENTAUR CHAINED AND HIS UNSTABLE ABODE29x35 cm OIL, TEMPERA AND INKS ON CARTON PLUME |
|
174 | 1991 |
I ASK FOR EPICURUS12,2x20,4 cm SOFT-GROUND, ETCHING, RELIEF, WHEELS AND PUNCH ON ZINC |
|
249 | 1992 |
CHURCHES IN THE DARK LIGHT OF REASON33,5x83 cm OIL ON WOOD |
|
001 | 1985 |
CHIMERA50x34,5 cm OIL AND CHALK ON PAPER |
CHIMERA THE BEAUTIFUL, DAUGHTER OF ECHIDNA BODY COIL, DAUGHTER SHE WHO SWALLOWED EVERYTHING FROM RAW AND TYPHOON, THE MUTILATOR LOSER. |
337 | 2003 |
HELLO, HOW ARE YOU?60x80 cm OIL ON PANEL |
|
456 | 2015 |
VERY STARRY SKYWITH UNICORY (THE INTRUDER)24x32 cm WATERCOLOR ON PAPER |
|
130 | 1999 |
WITH FRANCO WE WALKED THE DOG91,3x36,7 cm OIL ON CARDBOARD |
...AND I SPOKE OF THE MOON. |
476 | 2017 |
WITH THE AIR AND THE SEAS24,5x22 cm MIXED TECHNIQUE ON WOOD |
|
385 | 1980 |
SHARING OF MILK50x60 cm OIL ON CANVAS |
|
369 | 1968 |
CONGREGATION39,9x28,8 cm INK ON PAPER |
|
141 | 1984 |
SPOUSES14x18,5 cm OIL ON WOOD |
|
403 | 1983 |
SPOUSES IN ROOM50x70 cm OIL ON CANVAS |
AT THE LIMIT OF THE TIME ALREADY SPENT. |
388 | 1974 |
COUPLE MARRIED WITH AVA50x70 cm OIL AND TEMPERA ON CANVAS |
|
373 | 1968 |
DATING48,5x33,1 cm INK ON PAPER |
|
049 | 1973 |
CRONO81x57 cm INK AND TEMPERA ON PAPER |
CHRONO THE LORD OF THE SADNESS CURVE. |
472 | 2016 |
FROM THE TRAIN30x40 cm MIXED TECHNIQUE ON PAPER |
|
449 | 2012 |
PARTS GIVE OF GRENOBLE14x14 cm PASTEL AND INK ON CARTON LPUME |
|
368 | 1968 |
COUNTRY DANCE39,9x28,8 cm INK ON PAPER |
|
406 | 1982 |
DANCE WITH GENIUS50x70 cm OIL ON CANVAS |
|
149 | 1990 |
DEDICATED TO FLAVIA27x48,8 cm ETCHING AND AQUATINT ON ZINC |
ALSO THIS RIGRET. |
347 | 1975 |
DISPUTE25x35 cm INK ON PAPER |
|
215 | 1980 |
WOMAN WITH AMORINO16,6x23,8 cm ETCHING, AQUATINT AND RELIEF ON ZINC |
|
378 | 1980 |
WOMAN WITH DRAPE30x40 cm OIL ON CANVAS |
|
279 | 2009 |
DOUBLE ROSANNA WITH FLAVIA AND TRILLY80x120 cm OIL ON WOOD |
|
258 | 1976 |
DORMANT50x70 cm PASTEL ON CARDBOARD |
QUIPPE UBI SE MULTI PER SOMNIA SAEPE LOQUENTES AUT MORBO DELIRANTES - MANY SPEAKING IN THE DREAMS OR IN DELIRIUM... (LUCREZIO-DE RERUM NATURA) |
361 | 1983 |
TWO KNIGHTS25x35 cm COLORED INK ON PAPER |
|
384 | 1975 |
TWO DEVOTED50x50 cm OIL AND TEMPERA ON CANVAS |
|
318 | 1974 |
TWO SLEEPING OVERTURNED25x35 cm OILY PASTEL ON PAPER |
|
085 | 2002 |
TWO AGE (GRANDFATHER AND GRANDSON)29,6x39,2 cm TIP MECHANICAL ON POLYCARBONATE |
|
030 | 1973 |
TWO AGE28x57 cm INK ON PAPER |
|
045 | 1975 |
TWO FIGURES65,8x38,7 cm TEMPERA ON PAPER |
|
217 | 1980 |
TWO FIGURES WITH BANNER24,7x24,7 cm METHOD INK AND RELIEF ON ZINC |
|
165 | 1992 |
ECCE HOMO24x9,7 cm ETCHING, RELIEF, SULPHUR, DRYPOINT ON COPPER |
|
181 | 1991 |
ECCE HOMO39x58 cm OIL ON WOOD |
|
333 | 1973 |
ELIOS E PASIFAE57x40 cm INK ON PAPER |
PASIPHAE POTNIA WOOS ELIOS PAREDRO. |
394 | 1964 |
BALANCES 150x70 cm OIL ON CANVAS |
|
395 | 1964 |
BALANCES 249,5x70,5 cm OIL ON CANVAS |
|
396 | 1965 |
BALANCES 368,8x49,5 cm OIL ON CANVAS |
|
397 | 1965 |
BALANCES 469,5x50 cm OIL ON CANVAS |
|
399 | 1964 |
BALANCES 550x70 cm OIL ON CANVAS |
|
400 | 1964 |
BALANCES 650x70 cm OIL ON CANVAS |
|
212 | 1981 |
EROS32,2x24,6 cm METHOD INK AND RELIEF ON ZINC |
ARTE CITAE VELOQUE RATES REMOQUE MOVENTUR ARTE LEVES CURSUS: ARTE REGENDUS AMOR. (WITH ART ARE MOVING QUIKLY SHIPS SAILING AND ROWING, WITH ART THE COACS AGILE, WITH ART YOU HAVE TO DRIVE LOVE) |
084 | 1980 |
SUMMER20,4x15,8 cm ETCHING ON ZINC |
|
405 | 1976 |
SUMMER50x70 cm OIL ON CANVAS |
|
032 | 1987 |
LANDSCAPE FAKE39,4x49 cm BLACK PENCIL ON PAPER |
|
301 | 1970 |
FAMILY24x33,2 cm INK ON PAPER |
|
323 | 1976 |
BUTTERFLY STRANGE33,8x24 cm WATERCOLOR AND MARKER ON PAPER |
STRANGE BUTTERFLY, DAUGHTER OF THE NIGHT, SISTER OF THE BAT AND THE OWL, NOT WORK THE NATURE BUT OF DEMONS, FILTERS AND SIGNS AND CABALS FROM THE DEPTHS OF A CAVE SUMMONED! I HAVE ALWAYS LOOKED TREPIDATION THIS DARK VOLATILE, ALMOST WITH THE TERROR OF ANIMAL WITH THE TERROR AROUSE AN GLOOMY ANGER - G. GOZZANO - ACHERONTIA ATROPOS |
313 | 1972 |
CELEBRATIONS FOR A FRIEND ON THE WATERFRONT OF SALERNO25x35 cm INK ON PAPER |
|
316 | 1974 |
FIGURE WITH CHICKENS25x35 cm MARKER AND OILY PASTEL ON PAPER |
|
199 | 1980 |
FIGURE AND REMAINS OF SARCOPHAGUS17,8x11,5 cm ETCHING ON ZINC |
|
303 | 1974 |
FIGURES WITH MOON25x35 cm OILY PASTEL ON PAPER |
|
310 | 1975 |
FIGURES AND HEDGE16x12,7 cm INK ON PAPER AND TEMPERA |
|
189 | 1994 |
FOLLIES32,7x49 cm TIP MECHANICAL ON ZINC |
HERE WE ARE HERE, WE ARE, WE ARE CRAZY. |
216 | 1980 |
FOUNTAIN IN RUINS24,6x24,8 cm ETCHING, AQUATINT, RELIEF AND DIRECT ACID ON ZINC |
|
335 | 1970 |
FOROGINO ON THE RUN45,3x48,7 cm INK ON PAPER |
|
341 | 1982 |
FRAGMENTS33,3x24 cm PENCIL AND INK, OILY PASTEL ON PAPER |
|
021 | 1973 |
FRAGMENTS GRAPHICS28x57 cm TEMPERA AND INK ON PAPER |
|
024 | 1971 |
FRAGMENTS GRAPHICS35x50 cm INK ON PAPER |
|
324 | 1977 |
FRAGMENT ERACLITO B161,5x41,5 cm INK, OIL AND TEMPERA ON PAPER |
|
325 | 1977 |
FRAGMENT ERACLITO B1761,5x41,5 cm INK, OIL, TEMPERA AND OILY PASTEL ON PAPER |
|
326 | 1977 |
FRAGMENT ERACLITO B1961,5x41,5 cm INK AND OIL ON PAPER |
|
327 | 1977 |
FRAGMENT ERACLITO B3461,5x41,5 cm INK, OIL AND TEMPERA ON PAPER |
|
328 | 1977 |
FRAGMENT ERACLITO B7261,5x41,5 cm INK, OIL AND TEMPERA ON PAPER |
|
370 | 1968 |
LOVE ESCAPE39,9x28,8 cm INK ON PAPER |
|
386 | 1980 |
OUT OF THE WATER50x60 cm OIL ON CANVAS |
|
159 | 2002 |
CAGE6,8x9,7 cm DRYPOINT AND TIP MECHANICAL ON POLYCARBONATE |
|
446 | 2013 |
CAT YOY GO AWAY!25x35 cm WATERCOLOR AND MARKER ON PAPER |
|
383 | 1980 |
GENIUS TORO AND EGGS50x50 cm OIL ON CANVAS |
|
047 | 1969 |
PARENT29,5x44,8 cm OIL ON PAPER |
|
125 | 2007 |
GIANO36,8x27,7 cm OIL ON WOOD |
OH GIANO, THAT YOU HAVE INTRODUCED THE PRACTICE OF NAVIGATION, THE ART OF GROWING IN GROUND AND LIVING IN CITIES WITH COMMON READ, YOU THAT PROTECT THE PILLARS AND WATCH OVER PASSAGE. YOU WITNESS FOR PEACE. |
382 | 1975 |
PLAYING IN THE BATH50x50 cm OIL AND TEMPERA ON CANVAS |
|
349 | 1970 |
THE EROTIC GAMES OF THE CENTAUR FEMALE24x33,2 cm INK ON PAPER |
IN THE LAWN PLAY THE CASTE MARE IT IS THE ANGEL. |
445 | 2013 |
GAMES OF INFANCY20x29 cm MIXED TECHNIQUE ON CARTON PLUME |
|
062 | 1974 |
PLAYING WITH THE CHAIRS48,5x43,5 cm OIL ON CANVAS |
|
063 | 1974 |
GAME WITH CHAIRS AND TRAPEZE67x51 cm OIL ON CANVAS |
|
124 | 2005 |
GAME AND SPIRIT OF THE HOUSE38x26,4 cm OIL ON PANEL |
|
444 | 2011 |
YOUNG MATHEMATICS100x70 cm OIL AND PENCILS ON CARTON PLUME |
|
348 | 1970 |
RIDE MOUNTAIN25x35 cm INK ON PAPER |
|
283 | 1999 |
FAREWELLS55,5x70 cm OIL ON WOOD AND PAPER |
|
082 | 1974 |
LOVERS24,5x34,9 cm TECHNICAL IN RELIEF AND ETCHING ON ZINC |
|
474 | 2016 |
THE SWEETHEARTS25x35 cm WATERCOLOR ON PAPER |
|
016 | 1985 |
WEDDING OF GAIOLA34,5x50 cm CHALKS AND INK ON PAPER |
|
276 | 1979 |
LARGE FIRE70x100 cm OIL ON CANVAS |
|
389 | 1974 |
BIG CLOUD50x60 cm OIL ON CANVAS |
|
211 | 1989 |
GROUPS OF WISE MEN24,6x32,5 cm ETCHING, METHOD INK AND AQUATINT ON ZINC |
|
264 | 1972 |
GROUP OF DORMANT50x70 cm OIL ON PAPER |
|
464 | 2006 |
GROUD OF PHILOSOPHERS32,2x24,3 cm ENGRAVING-INK TECHNIQUE ON ZINC |
WAITING AT THE ENTRANCE OF THE CAVE. |
280 | 1967 |
WAR50x70 cm OIL ON CANVAS |
|
027 | 1973 |
HELIOS E PASIFAE35,5x57 cm INK AND TEMPERA ON PAPER |
HELIOS PAREDRO AND PASIFAE POTNIA |
447 | 2013 |
SPOUSES25x35 cm OIL ON CANVAS |
|
180 | 1985 |
GOLDEN FISH50x60 cm OIL ON WOOD |
|
019 | 1970 |
TALES OF THE GRANDFATHER40,5x44,5 cm INK ON PAPER |
|
331 | 1974 |
BASKERS59x49 cm OIL ON CANVAS |
|
126 | 2005 |
THE BULLY24x34 cm OIL ON PAPER |
|
099 | 2000 |
RED DOG30x40 cm OIL ON POLYCARBONATE |
|
101 | 1992 |
THE CHARIOT OF LUCK26x17,6 cm PASTEL, OIL AND PANCIL ON PAPER |
|
172 | 1992 |
THE CHARIOT OF LUCK15,6x24,8 cm AQUATINT ON ZINC |
|
094 | 2003 |
THE SCOUNDREL30x40 cm TEMPERA ON POLYCARBONATE |
|
220 | 2006 |
THE LECTURER30x40 cm OIL ON CANVAS HARDCOVER |
|
457 | 2015 |
THE COURIER DELIVERY A LANDSCAPE42X29,8 cm MIXED ON PAPER MOUNTED ON CARTON PLUME. |
|
147 | 1989 |
CRITIC12,5x15,5 cm METHOD INK AND AQUATINT ON ZINC, 3 COLOURS |
ACERRIMUS EXISTIMATOR. |
150 | 1990 |
THE GIFT24,5x24,7 - 12,5x24,5 cm METHOD INK, ETCHING, AQUATINTA AND RELIEF.TWO PLATES ZINC |
HOC TIBI QUOD POTUI CONFECTUM CARMINE MUNUS PRO MULTUS REDDITUR OFFICIS NE TUUM SCABRA TANGAT RUBIGINE NOMEN HAEC ATQUE ALIA. -CAIO VALERIO CATULLO- THIS MY GIFT FOR YOU IN RETURN OF YOUR MANY BENEFITS. WISHING THIS AND ANY OTHER DAY NOT TOUCH YOUR NAME WITH SQUALID RUST. |
286 | 2009 |
THE PINK FLOWER50,5x74 cm OIL ON WOOD |
|
018 | 1970 |
THE FLYING FOROGINO50x70 cm INK ON PAPER |
IT IS GOOD ONE INVOICE HOOD RUBY FOR EVENING AIR TACITURN, WHEN THE RIGHT TO INVITE THE VANITY SENSUAL FOROGINO THE PARTY OF ALL. INTERPRETATION: THE WORD AND FOROGINO IS ARTIST OF INVENTION AND MEANS BEARER OF WOMEN. |
020 | 1971 |
THE FLYING FOROGINO35x65 cm INK ON PAPER |
|
201 | 1981 |
THE GARDEN OF THE GAMES14,7x14,7 cm METHOD INK ON ZINC |
|
204 | 1982 |
THE GARDEN OF SECRETS29,3x49,3 cm RELIEF, ETCHING, AQUATINT, DRYPOINT ON ZINC |
|
039 | 1967 |
THE GAME AND HARMONY70x100 cm TEMPERA ON PAPER |
|
477 | 2017 |
THE EDDY89,5x100 cm MIXED TECHNIQUE ON WOOD |
THE INDUCED SENSE OF GUILT AND THE FOROGINO SAD |
123 | 2003 |
THE GREAT WHITE SUN25x35 cm OIL ON PAPER |
|
203 | 1982 |
THE HEALER15x22,4 cm METHOD INK, ETCHING AND ACID DIRECT ON ZINC |
|
182 | 1994 |
MARTYRDOM OF S. SEBASTIANO38x80 cm OIL ON WOOD |
|
430 | 2014 |
MY GOOD FRIEND GERMANO ON THE VIA APPIA22.6x25 cm OIL ON WOOD |
|
208 | 1985 |
THE MYSTERY OF THINGS9,6x11,9 cm ETCHING, AQUATINT AND RELIEF ON ZINC |
A PROPOSAL OF NARCISO - 1985 |
156 | 1999 |
THE MEAL12,3x15,5 cm ETCHING END DRYPOINT ON ZINC |
|
442 | 1987 |
THE PATH GRANTED90x150 cm OIL ON CANVAS |
LATA METAPHORA VITAE (THE GREAT LIFE METAPHOR) - ALONE, SLIGHT, OVER TIME. I APPOINT THE PLACID MELANCHOLY. |
425 | 2011 |
THE MARINA30x40 cm TEMPERA,COLORED INK AND OIL |
|
277 | 1964 |
BULLYNG70x100 cm OIL ON CANVAS |
|
017 | 1975 |
THE PRISONER57x80,5 cm INK ON PAPER |
THE ANARCHIC MARINI DRIVEN PROCESS. |
105 | 2000 |
PRINCE24,4x35 cm OIL PASTEL AND PENCIL ON PAPER |
|
471 | 2016 |
THE UNIVERSITY PROFESSOR, THE JURIST AND OTHER DISTILLERS50x50 cm MIXED TECHNIQUE ON WOOD |
|
289 | 2001 |
THE KING46,7x60,3 cm OIL ON WOOD |
|
040 | 1967 |
RECOVERY WITH WHEEL70x100 cm TEMPERA ON PAPER |
|
381 | 1975 |
THE RITE50x40 cm OIL AND TEMPERA ON CANVAS |
|
155 | 1996 |
THE RETURN OF THE SWALLOW6,7x11,8 cm DRYPOINT ON POLYCARBONATE |
|
443 | 1998 |
THE RETURN OF THE GIUDAS CENACOLO156,5x133 cm OIL ON WOOD |
|
120 | 2001 |
THE RETURN OF ULYSSES37,8x28 cm OIL ON PAPER |
|
483 | 2012 |
THE PRIEST AND THE SCIENCE14,5X20 cm OIL ON WOOD |
|
037 | 1969 |
THE WISE42x47,3 cm OIL TEMPERA AND INK ON PAPER |
|
195 | 1979 |
GREETINGS FROM THE WARRIOR24,3x25 cm RELIEF ON ZINC |
|
190 | 1994 |
GREETING OF THE SICK34x40,7 cm TIP MECHANICHAL AND ABRASIVES ON PLEXIGLASS |
|
259 | 1995 |
GREETING OF THE SICK60x81 cm OIL ON WOOD |
BEHIND THE WORDS: "MI SALUTASTI PER ENTRARE NEL BUIO" (EUGENIO MONTALE) |
186 | 1997 |
THE DREAM OF ALEXANDER39,5x29,8 cm TIP MECHANICAL ON POLYCARBONATE |
|
294 | 1999 |
THE DREAM OF ALEXANDER60x124,5 cm OIL ON PANEL |
|
214 | 1981 |
THE TEMPLE ON THE VALLEY12,1x26,7 cm DRYPOINT ON ALUMINIUM |
|
491 | 2021 |
THE MOVE100X70 cm MIXED MEDIA ON CANVAS |
|
418 | 1986 |
THE DIVER70x100 cm OIL ON CANVAS |
CONDITION OF THE SUBJECT IS TO BE FOR NOT BEING.CONDITION OF THE THOUGHT IS NOT TO BE FOR BEING.AND NONE OF THE TWO THINGS WILL MAKE TO AVOID ANYTHING. |
437 | 2014 |
THE VESSILLIFERO20x29,5 cm MIXED TECHNIQUE ON WOOD |
|
136 | 1982 |
THE TRIP50x70 cm OIL ON CANVAS |
|
307 | 1970 |
OTHER IMAGES24x33,1 cm INK ON PAPER |
INDUSTRY ORDERED A REPRESENTATION. |
197 | 1980 |
IN THE COUNTRYSIDE12,2x12,1 cm METHOD INK ON ZINC (PRESS WATERCOLORED) |
|
320 | 1975 |
IN CHURCH25x35 cm INK ON PAPER |
|
261 | 1994 |
IN RATIONE SOLITUDO60x81 cm OIL ON WOOD |
|
185 | 1994 |
IN RATIONE SOLITUDO (WITH APOLLO AND THE SKIES)25x35,2 cm TIP MECHANICAL ON PLEXIGLASS |
|
272 | 1994 |
IN RATIONE SOLITUDO WITH APOLLO34,8x37,4 cm PENCIL, OIL AND OILY PASTEL ON PAPER |
|
448 | 1984 |
IN THE LIVING ROOM100x120 cm OIL ON CANVAS |
REST ON THE THINGS AROUND A FINE POWDER,SAME AS SUBSTRANGE THE CONTAIN.SO THEY ARE PUT IN ORDER THE VARIOUS PARTS OF THE ROOM,SO THAT THE DIM LIGHT BECOMES LYMP IN EVERY CORNER.NO CONCESSION TO WHAT IS NOT CONCLUDED |
166 | 1993 |
IN THEATRE12,4x15,7 cm AQUATINT, METHOD INK AND ETCHING ON ZINC |
|
137 | 2000 |
THE TRIP120x80 cm OIL ON WOOD |
|
138 | 1993 |
MEETING14x16 cm OIL ON WOOD |
|
142 | 1979 |
CHILDHOOD60x80 cm OIL AND TEMPERA ON CANVAS |
|
353 | 1975 |
INFORMATION AND LITIGATION25x35 cm INK ON PAPER |
|
431 | 2014 |
HE TEACHES FOR SELLING EGGS61x36 cm OIL ON WOOD |
DAILY FRESH EGGS. |
432 | 2014 |
HE TEACHES FOR SELLING EGGSn.d. cm OIL ON WOOD |
|
275 | 1979 |
INTERNAL70x100 cm OIL ON CANVAS |
|
490 | 2019 |
ME AND MARC70X80 cm MIXED TECHNIQUE ON WOOD |
|
297 | 1970 |
ANGER24x33,1 cm INK ON PAPER |
ANGER AND THE SONG OF THE TOAD. |
342 | 1998 |
ISCHIA VIEW FROM PROCIDA20,3x29,7 cm PENCIL AND OIL ON PAPER |
|
460 | 2016 |
JORIO THE CARTER29,6x42 cm MIXED MEDIA ON PAPER |
MIND YOUR OWN FUCKING BUSINESS! |
010 | 1985 |
THE SICK34,5x50 cm CHALKS AND INK ON PAPER |
|
246 | 1975 |
WATER AT PIETRECADUTE28x19,5 cm INK AND OIL ON PAPER |
|
188 | 1994 |
THE STORYTELLER24,5x32,3 cm ETCHING, AQUATINT, DRYPOINT, DIRECT ACID ON ZINC |
|
260 | 1995 |
THE STORYTELLER60x81 cm OIL ON WOOD |
BEHIND THE WORDS: THE NARRATOR OF CHARM WITH SOUND AND BEAUTIFUL THINGS. WITH ACTION AND LOVE FOR LOVE FOOD ALWAYS THIS AND MUCH WINE. |
035 | 1971 |
LOST LAMB47,2x45,7 cm INK AND TEMPERA ON PAPER |
|
218 | 1981 |
THE ANGEL AND THE CHARIOT19,7x24 cm ETCHING AND RELIEF ON ZINC |
|
274 | 1996 |
ANNOUNCEMENT TO GIUSEPPE120x84 cm OIL ON PANEL |
|
179 | 1981 |
THE PORT49,5x40 cm ETCHING, RILIEF, SULPHUR ON PLATE COPPER |
A TIME ORDERED. |
458 | 2015 |
THE LANDING OF THE CACRED BOAT60x80 cm MIXED TECHNIQUE ON WOOD |
|
486 | 2019 |
THE ARK OF LIFE LANDS ON EARTH STILL BARREN70X80 cm MIXED TECHNIQUE ON WOOD |
|
038 | 1967 |
THE ARRIVAL OF CARDINAL70x100 cm TEMPERA ON PAPER |
|
455 | 2015 |
THE ARRIVAL OF THE PHYSICIAN18x12,5 cm MIXED MEDIA ON PAPER |
|
008 | 1986 |
THE MOMENT50x70 cm OIL AND CHALK ON PAPER |
PARVA METAPHORA TEMPORIS - SMALL TIME METAPHOR. |
086 | 2004 |
THE AUREOLE LOWERED21x21 cm PENCIL ON PAPER |
|
116 | 1982 |
LAUNCHING THE KNOWLEDGE36,5x21,3 cm OIL ON WOOD |
|
036 | 1969 |
THE HERO42x47,3 cm OIL TEMPERA AND INK ON PAPER |
|
438 | 2015 |
THE BOW50x50 cm MIXED TECHNIQUE ON WOOD |
FINIS COMOEDIAE IN HORTO CONCLUSO (THE END OF THE RECITAL IN THE ENCLOSED GARDEN) |
322 | 1975 |
THE INCIDENT OF CARRETTIERE (DREAM)25x35 cm INK ON PAPER |
|
048 | 1973 |
THE INCUBUS70x71 cm OIL AND TEMPERA ON CANVAS |
|
213 | 1985 |
THE SICK22x24,5 cm DRYPOINT ON ALUMINIUM |
|
060 | 1974 |
THE DARK50x49,8 cm OIL ON CANVAS |
|
080 | 1974 |
THE OBSERVER24,3x34,8 cm TECHNICAL IN RELIEF AND ETCHING ON ZINC |
|
436 | 2014 |
LA BARCA D'ORO (IL PROFESSORE)20x29,5 cm COLORED INK ON PAPER |
|
291 | 1979 |
THE KITCHEN OF BIFERNO AT BOIANO70x120 cm MIXED ON CANVAS |
|
440 | 1983 |
THE CARE OF THE EDUCATION97x148 cm OIL AND PASTEL ON CANVAS |
|
479 | 2017 |
THE GODDESS MEFITIS25X44,5 cm MIXED TECHNIQUE ON WOOD |
|
452 | 1970 |
THE DEFENS ON THE FLOCK38x65 cm INK AND PENCILS ON CARTON PLUME |
|
002 | 1985 |
THE HOME50x34,5 cm OIL, PENCIL AND CHALK ON PAPER |
|
209 | 1985 |
THE DESPAIR OF MEDUSA26,6x20,5 cm ETCHING, AQUATINT AND RELIEF ON ZINC |
POOR MEDUSA, PUNISHED JUST BECAUSE DECEIVED. ORDERED TO SEDUCE WITHOUT JOY. |
416 | 1978 |
THE GREAT MOTHER24,6x24 cm ETCHING AND RELIEF ON ZINC |
|
007 | 1984 |
THE GUIDE8,5x65,8 cm OIL AND CHALK ON PAPER |
|
308 | 1975 |
IT IS THE LAW20,5x28,8 cm INK ON PAPER |
|
148 | 1990 |
THE LITERATE15,5x24,5 cm ETCHING, AQUATINT, RELIEF, TIP MECHANICAL END DRYPOINT ON ZINC. |
|
478 | 2017 |
MY DAWN (DISRUPTED EPISODES)49,9x50 cm MIXED TECHNIQUE ON WOOD |
ALWAYS FIND VHO IS WILLING TO PUSH YOU. |
160 | 2003 |
MY SOUL IS IN FLIGHT12,3x16 cm ETCHING AND AQUATINT ON ZINC |
|
173 | 1991 |
THE MEASURE29,8x40 cm ETCHING, RELIEF, DRYPOINT, AND SULFUR. ON COPPER |
|
158 | 2001 |
DEATH OF BISHOP24,5x15,8 cm ETCHING AND AQUATINT ON ZINC |
|
295 | 2001 |
DEATH OF BISHOP124,5x60 cm MIXED ON PANEL |
|
043 | 1973 |
THE BIRTH66x100 cm OIL ON PAPER |
|
044 | 1973 |
NURSE67,5x81 cm OIL ON CANVAS |
|
096 | 1991 |
THE MISTRESS AND DOG43x31 cm OIL ON WOOD |
|
414 | 1978 |
FISHING19,7x24,5 cm RELIEF ON ZINC |
|
041 | 1967 |
PREY70x100 cm TEMPERA ON PAPER |
|
132 | 1983 |
THE PRESENTATION OF THE MODEL30x40 cm OIL ON CANVAS |
|
407 | 1984 |
THE PROPORTION OF NARCISO50x70 cm OIL ON CANVAS |
NARCISSUS RESTS IN THE HOUSE TO BREATHE HIMSELF. |
278 | 1985 |
SQUARING THE CIRCLE80x100 cm OIL ON CANVAS |
|
169 | 1993 |
MISS12,2x16 cm METHOD INK, ETCHING AND ACID DIRECT ON ZINC |
|
097 | 1991 |
THE RESEARCHER80x60 cm OIL ON CANVAS |
|
439 | 2012 |
GOLDEN TOWER (THE RETURN OF PARTENOPE)57,5x53,5 cm OIL ON WOOD |
|
167 | 1993 |
SHOWCASE12,2x15,6 cm AQUATINT, METHOD INK AND ETCHING ON ZINC |
|
095 | 1980 |
THE FRIENDS OF THE SEA50x50 cm OIL ON CANVAS |
|
468 | 1992 |
THE POMEGRANATES (VANITY)42x55 cm OIL ON WOOD |
|
196 | 1980 |
THE WEDDING15,7x23,8 cm ETCHING AND RELIEF ON COPPER |
|
465 | 2002 |
THE HOPES OF A SOW60x80 cm OIL ON WOOD |
|
154 | 1995 |
READING6,7x9,8 cm DRYPOINT ON POLYCARBONATE |
|
081 | 1974 |
READING BETROTHED18,3x24,9 cm TECHNICAL IN RELIEF AND ETCHING ON ZINC |
|
026 | 1973 |
READING A FAIRY TALE41x57 cm INK AND TEMPERA ON PAPER |
RAN ON GLACIERS RIGATI WITCHES CHASING BACK TO COURT. AND BEFORE YOU BE SO GA KNEW OF LESS OF A SHADOW IN THE STONES. |
390 | 1980 |
READING THE “THANK YOU”40x60 cm OIL ON CANVAS |
|
461 | 2015 |
THE TEACHERS PURPOSE24,6x49 cm ENGRAVING-DRYPOINT ON POLICARBONATO |
THE GOLDEN BOAT (THE PROFESSOR) |
421 | 2010 |
THE AMAZAMENT OF THE BABY49x70 cm OIL ON WOOD |
|
293 | 2001 |
MOON STARRY REFLECTED80x120 cm OIL ON WOOD |
|
299 | 1970 |
LUST24x33,1 cm INK ON PAPER |
LUST AND OX. |
417 | 2010 |
MADONNA FOR BONATE80x140 cm OIL AND TEMPERA ON WOOD |
|
092 | 1991 |
MOTHER,CHILDREN AND DIONISO29,6x38,8 cm MONOTYPE |
|
087 | 1991 |
MASK29,6x38,8 cm MONOTYPE |
|
088 | 1991 |
MASK29,6x38,8 cm MONOTYPE - 2nd IMPRESSION |
|
391 | 1975 |
MATER MATUTA40x50 cm OIL ON CANVAS |
|
029 | 1973 |
SUMMER MORNING AND ASCETIC26,8x57 cm INK ON PAPER |
|
281 | 1982 |
MEASURE50x70 cm MIXED ON CANVAS |
|
398 | 1982 |
MEASURE OF CHANNEL50x70 cm OIL ON CANVAS |
|
134 | 1982 |
MONUMENT40x50 cm MIXED TECHNIQUE ON WOOD |
|
183 | 1990 |
NARCISO75x83 cm OIL ON CANVAS MOUNTED ON WOOD |
|
300 | 1970 |
BIRTH24x31,4 cm INK ON PAPER |
THE BIRTH OF THE ANGEL SAD. |
198 | 1980 |
TAPE13,1x23,6 cm ETCHING AND RELIEF |
|
413 | 1978 |
IN THE GARDEN24,4x49,5 cm ETCHING, AQUATINT, RELIEF ON ZINC |
|
488 | 1978-2020 |
IN THE SAEPINUM POOL (FANTASTIC RECONSTRUCTION)100x150 cm OIL ON CANVAS |
|
387 | 1974 |
NORMAN50x60 cm OIL AND TEMPERA ON CANVAS |
|
466 | 1981 |
NIGHT OF THE FULL MOON50x70 cm OIL ON CANVAS |
|
433 | 2014 |
FULL MOON NIGHT WITHOUT STARS60x80 cm MIXED TECHNIQUE ON WOOD |
WELL I GO! |
144 | 1976 |
NIGHT40x70 cm OIL ON PAPER |
|
288 | 2004 |
ODISSEO NOT LISTEN TO THE SONG50x50,8 cm OIL ON WOOD |
|
127 | 2003 |
SMELL OF LIGHT30x31 cm OIL AND TEMPERA ON PAPER MOUNTED POLYCARBONATE |
|
091 | 1996 |
FATHER JOSEPH FROM CUPERTINO FLYING FATHER PIO FROM PIETRELCINA40x29,5 cm XILOGRAFIA COLOUR 5 WOODS |
|
106 | 1996 |
FATHER JOSEPH OF CUPERTINO FLYING PADRE PIO PIETRELCINA29,6x42 cm BLACK PENCIL AND PASTEL ON PAPER |
|
103 | 2003 |
LANDSCAPE21x29,6 cm BITUMEN, WATERCOLOR AND BLACK PENCIL ON PAPER |
|
117 | 1999 |
LANDSCAPE15,5x33,4 cm OIL ON WOOD |
|
423 | 2000 |
LANDSCAPE11.8x20 cm OIL AND OILY PASTEL ON WOOD |
|
424 | 2000 |
LANDSCAPE13x19.7 cm OIL AND OILY PASTEL ON CARTON |
|
046 | 1969 |
LANDSCAPE ARCHAIC42,7x19 cm OIL ON PAPER |
|
251 | 1987 |
AUTUMN LANDSCAPE30x40 cm OIL ON CANVAS BOARD |
|
162 | 2004 |
LANDSCAPE FAKE14,6x23,8 cm ETCHING, AQUATINT, RELIEF, ACID DIRECT AND TIP MECHANICAL ON ZINC |
|
426 | 2011 |
LANSCAPE UNLIKELY29x35 cm OIL ON CARTON PLUME |
|
454 | 2016 |
LANDSCAPE UNLIKEILY (BUILDINGS IN THE CLOUDS)24,5x22 cm MIXED TECHNIQUE ON WOOD |
|
145 | 2015 |
LANSCAPE UNLIKELY (PALACES IN THE CLOUDS)24,5x22 cm MIXED TECHNIQUE ON WOOD |
|
365 | 1974 |
LANDSCAPE MOLISE 125x35 cm INK ON PAPER |
|
367 | 1974 |
LANDSCAPE MOLISE 225x35 cm INK ON PAPER |
|
366 | 1977 |
LANDSCAPE MOLISE 325x35 cm INK ON PAPER |
|
467 | 1992 |
ALTARPIECE FOR LEANDRO150x110 cm OIL ON WOOD |
IF OUR LOVES THERE ARE NOT MORE. |
022 | 1973 |
PALE AT THE SHINING26x57 cm INK ON PAPER |
INTERPRETATION: THE PALE AT THE SHINING THE CUSTODY AFTER EXPROPRIATION. FIST IN A FLEA IN ACCORDANCE WITH LIGHT DIED FROM SHAME. |
061 | 1974 |
WORDS OF LOVE42x50 cm OIL ON CANVAS |
|
377 | 2010 |
WORDS SCANNED17x20,5 cm OIL AND TEMPERA ON WOOD |
|
314 | 1975 |
WALK IN WHEELCHAIR 120x26,5 cm INK ON PAPER |
|
312 | 1975 |
WALK IN WHEELCHAIR 225x35 cm INK ON PAPER |
|
379 | 1977 |
PATER FAMILIAS60x60 cm OIL AND TEMPERA ON CANVAS |
|
200 | 1981 |
PEGASUS16,6x19,4 cm RELIEF ON COPPER |
|
042 | 1973 |
TO DO NOT LOSE PIETE IS HIMSELF90x70 cm TEMPERA ON PAPER |
|
202 | 1981 |
FISHING IN RIVER14,9x13,9 cm METHOD INK, SULPHUR AND THREE PLATES COPPER |
|
184 | 1996 |
LITTLE SANTA WITH DOG AND AMORINO60x35 cm OIL ON PAPER |
|
192 | 1996 |
LITTLE SANTA WITH DOG AND AMORINO29,7x39,4 cm DRYPOINT AND TIP MECHANICAL ON POLYCARBONATE |
|
266 | 1994 |
LITTLE SELF PORTRAIT11,5x19 cm OIL ON WOOD |
|
140 | 1979 |
SMALL FIRE24x30 cm OIL ON CANVAS |
|
267 | 1994 |
LITTLE LANDESCAPE11,7x14,6 cm OIL ON WOOD |
|
463 | 2010 |
SMALL LANDSCAPE12,1x7,1 cm ENGRAVING IN MIXED MEDIA ON POLYCARBONATE |
|
102 | 1997 |
PITY30,9x29,5 cm WATERCOLOR AND OIL ON PAPER |
|
282 | 2007 |
PAINTING CLAIMS A PLACE AMONG THE MUSE60x80 cm OIL ON PANEL |
|
104 | 2003 |
ARMCHAIR28,9x19,5 cm BLACK PENCIL AND PASTEL ON PAPER |
|
329 | 2003 |
ARMCHAIR IN THE STUDIO56,5x76 cm TEMPERA GLUE ON PAPER |
|
451 | 2002 |
ARMCHAIR SENSI26x30,5 cm MIXED TECHNIQUE ON PAPER |
|
412 | 2003 |
SMALL ARMCHAIR IN THE STUDIO57x78 cm TEMPERA GLUE ON PAPER |
|
028 | 1973 |
POTNIA41x57 cm INK AND TEMPERA ON PAPER |
POTNIA ENCEINTE. |
410 | 1975 |
LUNCH OUTDOORS30x40 cm OIL ON CANVAS |
|
111 | 1997 |
PREPARATORY TO THE DREAM OF ALEXANDER35,2x24,9 cm BLACK PENCIL ON PAPER |
|
112 | 2003 |
PREPARATORY TO REDISCOVERY OF THE PHONEME A21x29,6 cm BLACK PENCIL ON PAPER |
|
372 | 1968 |
PRESENTATION48,5x33,1 cm INK ON PAPER |
|
319 | 1972 |
FIRST IDEA FOR A BIG CANVAS25x35 cm INK ON PAPER |
|
253 | 1983 |
FIRST ACCOMMODATION30x40 cm OIL ON CANVAS |
|
133 | 1976 |
SPRING50x60 cm OIL AND TEMPERA ON CANVAS |
|
176 | 1994 |
FIRST FLOOR12x19,7 cm TIP MECHNICAL AND DRYPOINT ON ALUMINIUM |
|
374 | 1968 |
PROCESSION48,5x33,1 cm INK ON PAPER |
|
354 | 1975 |
PROCESSION WITH LIONS28,5x26,5 cm INK AND PASTEL ON PAPER |
|
343 | 1998 |
PROCIDA20,3x29,7 cm PENCIL AND OIL ON PAPER |
|
135 | 1982 |
PROPHECY OF SPRING40x50 cm MIXED TECHNIQUE ON PAPER MOUNTED ON FAESITE |
THEY WILL RISE MONUMENTS. RULES MEASURING DISTANCEFROM THE CLAMOR. STRENGTH OF COVERED WEDGES PINK BODY OF SLATE. AND NO SHADOW SHADOWREFENCES. - HAPPENED AT TIMES, THE DESIRE FOR SOMEONE TO PLEASURE TURN UNTO THINGS TO EXTERIOR, BE AWARE THAT IN THAT OPPORTUNITY YOU HAVE CANCELLED YOUR PRINCIPLES. BUT, IF YOU WANT TO BE SEEN OF TRUE FRIEND, SHOWN YOURSELF AND NEED ONLY. - EPICTETU- |
164 | 2004 |
PERFUME29,8x29,6 cm SOFT-GROUND AND METHOD INK ON ZINC |
|
011 | 1984 |
PROJECT ON CONSTRUCTION SITE34,5x50 cm CHALKS AND INK ON PAPER |
|
346 | 1978 |
ARCHAIC PROPORTIONS 120x28 cm INK ON PAPER |
|
358 | 1978 |
ARCHAIC PROPORTIONS 224x31,5 cm PENCIL, PASTEL AND INK ON PAPER |
|
113 | 2004 |
TEST20x38,2 cm OIL TEMPERA ON PAPER |
|
058 | 1974 |
TALES45x42 cm OIL AND TEMPERA ON CANVAS |
|
305 | 1974 |
GLADE28,7x24 cm INK ON PAPER |
|
273 | 2003 |
REPORT ON RECENT DISCOVERY OF FIRST PHONEME81x120 cm OIL ON PANEL |
|
004 | 1985 |
SEARCH IDEA50x34,5 cm CHALK TEMPERA AND INK ON PAPER |
|
168 | 1993 |
RECALLING BOJANO12,2x16 cm ETCHING, AQUATINT, METHOD INK, RELIEF ON ZINC |
|
152 | 1995 |
RECALLING CASORATI15,5x24,5 cm ETCHING, AQUATINT, DRYPOINT ON PLATE OF THE ZINC |
|
475 | 2016 |
THE RETURN FROM THE MARSH45x60 cm MIXED TECHNIQUE ON WOOD |
I WANTED ABSORB THE MANY WAVES OF THE SEA IN THE WIND. THE WAVES ARE LIKE LITTLE TOPS ANTIQUE BRONZE COLOR. TRASFORM ME INTO THEM AND FINALLY BE THE SEA ! |
250 | 1973 |
REFLEX27x48,5 cm OIL ON CANVAS |
|
170 | 1995 |
RIFUGE13,6x24,5 - 5,7x24,2 cm TWO PLATES: MEZZOTINT ON ZINC |
|
317 | 1974 |
REST OF LOVERS25x35 cm OILY PASTEL ON PAPER |
|
248 | 1990 |
REST IN SUMMER40x40 cm OIL ON WOOD |
|
270 | 1997 |
REST IN A RESIDENCE OF PROCIDA - 216,4x23,9 cm WATERCOLOR ON PAPER |
|
271 | 1997 |
REST IN A RESIDENCE OF PROCIDA - 216,4x23,9 cm WATERCOLOR ON PAPER |
|
351 | 1974 |
REVIVAL25x35 cm INK AND PASTEL ON PAPER |
|
375 | 1968 |
RETURN FROM THE HUNT48,5x33,1 cm INK ON PAPER |
|
108 | 1998 |
S. ANTONIO ABATE DISPUTE WITH CENTAURI (PREPARATORY STUDY)30,5x29,9 cm TEMPERA AND BLACK PENCIL ON PAPER |
|
109 | 1998 |
S. ANTONIO ABATE DISPUTE WITH CENTAURI (PREPARATORY STUDY)23,6x32,6 cm TEMPERA, OIL AND BLACK PENCIL ON PAPER |
|
110 | 1998 |
S. ANTONIO ABATE DISPUTA CON I CENTAURI (STUDIO PREPARATORIO)23,6x32,6 cm BLACK PENCIL ON PAPER |
|
485 | 2019 |
SAVIOR THE HUNTER OF SNAKES50X50 cm MIXED TECHNIQUE ON WOOD |
|
163 | 2004 |
SAINT DISAPPOINTED23,5x29,6 cm ETCHING, AQUATINT, RELIEF, LITOGRAFICA PENCIL ON ZINC |
THE WEIGHTED AUREOLA. |
309 | 1969 |
I GI TI THE WATER24x31,5 cm INK ON PAPER |
|
482 | 2018 |
SENSATIONS-VISIT TO THE OLD COURT50X50 cm MIXED TECHNIQUE ON WOOD |
|
339 | 2004 |
SENSUALITY60x80 cm OIL ON PANEL |
|
003 | 1993 |
SUMMER EVENING33x48 cm OIL, PENCIL AND CLALK ON PAPER |
|
023 | 1975 |
EVENING IN CHANNELS IN SALERNO28,5x40 cm INK AND PASTEL ON PAPER |
|
376 | 1978 |
PARADE OF CARNIVAL17x24 cm OIL ON CARDBOARD |
|
344 | 1972 |
SFINGI AT HAREM25x35 cm INK ON PAPER |
|
005 | 1995 |
SIMULACRA50x70 cm OIL ON PAPER |
LIVIA DRUSILLA CLAUDIA WATCH THE EFFIGIE OF AUGUSTO CAIO GIULIO CESARE OTTAVIANO. |
009 | 1985 |
AID 134,5x50 cm CHALKS AND INK ON PAPER |
|
013 | 1985 |
AID 234,5x50 cm CHALKS AND INK ON PAPER |
|
193 | 2004 |
DREMS32,3x49,1 cm ETCHING, AQUATINT ON ZINC |
|
265 | 1982 |
DREAM43,5x74 cm OIL ON WOOD |
|
345 | 1972 |
DREAM25x35 cm INK ON PAPER |
|
255 | 1994 |
THESE ARE THE CERTAINTY?90x70 cm OILY PASTEL AND OIL ON WOOD |
|
254 | 1972 |
MIRROR OF WATER24x34 cm INK ON PAPER |
|
128 | 2000 |
LITTLE SPIRIT (SLEEPWALKING)30x40 cm OIL ON POLYCARBONATE |
|
093 | 1975 |
LITTLE SPIRIT COUNTRY30x40 cm OIL AND TEMPERA ON CANVAS |
|
205 | 1983 |
SPIRIT OF OVER US11,2x20.6 cm ETCHING AND AQUATINT ON ZINC |
|
492 | 2021 |
WE ALSO MOVE THE MOUNTAINS50X70 cm OIL ON WOOD |
|
428 | 2012 |
STABLING35x40 cm OIL ON WOOD |
|
357 | 1978 |
STELE FUNERAL 224x31,5 cm INK ON PAPER |
|
356 | 1978 |
STELE FUNERAL 124x31,5 cm INK ON PAPER |
|
157 | 1996 |
MORNING STAR12,2x15,8 cm ETCHING, AQUATINT AND RELIEF ON ZINC |
|
257 | 1984 |
NOT WRITTEN STORIES53x66 cm OIL ON WOOD |
|
236 | 1994 |
STUDY 1 FOR “THE MARTYRDOM OF SAINT SEBASTIAN”22,7x29,8 cm PENCIL, PASTEL AND OIL ON PAPER |
|
223 | 1994 |
STUDY 1 FOR “THE TRAVELER”32,9x54 cm PENCIL AND PASTEL ON PAPER |
|
237 | 1994 |
STUDY 2 FOR “THE MARTYRDOM OF SAINT SEBASTIAN”21,6x28 cm PENCIL, PASTEL AND OIL ON PAPER |
|
229 | 1986 |
STUDY 2 FOR “THE DIVER”34,5x50 cm OILY CHAL, PENCIL AND PASTEL ON PAPER |
|
230 | 1986 |
STUDY 2 FOR “THE DIVER”34,5x50 cm CRAYON AND PENCIL PASTEL ON PAPER |
|
224 | 1994 |
STUDY 2 FOR “THE TRAVELER”23,7x32,8 cm PENCIL AND PASTEL ON PAPER |
HEAVEN SHALL BE DARK, THE FRONT OR BE SURROUNDED. THE STERN LIT UP, ON AXIS, A STAR SHINING. |
350 | 1975 |
STUDY FOR “THE SHIP”25x35 cm PENCIL AND OILY PASTEL ON PAPER |
|
233 | 1990 |
STUDY FOR “THE GIFT”29,7x20 cm WHITE PENCIL AND OILY PASTEL ON PAPER |
|
235 | 1996 |
STUDY FOR “THE NARCISO”25x35 cm PENCIL AND OILY PASTEL ON PAPER |
|
241 | 1994 |
STUDY FOR “GREETING OF THE SICK”30x40 cm PANCIL AND OILY PASTEL ON PAPER |
|
219 | 1975 |
STUDY FOR “INTERIOR WITH FIREPLACE”36x41 cm INK, MARKER AND OIL ON PAPER |
|
238 | 1990 |
STUDY FOR “THE TEENAGER”29,7x30 cm PENCIL, PASTEL AND OIL ON PAPER |
|
232 | 1994 |
STUDY FOR “THE STORYTELLER”23,7x32,7 cm CRAYON, OIL, PENCIL AND INK ON PAPER |
|
225 | 1986 |
STUDY FOR “THE ANCHORITE”25x35 cm INK ON PAPER |
|
242 | 1996 |
STUDY FOR “ANNOUNCEMENT TO GIUSEPPE”30x40 cm PENCIL ON PAPER |
|
304 | 1975 |
STUDY FOR “THE START BUILDING”28,5x20,5 cm INK AND PASTEL ON PAPER |
|
234 | 1990 |
STUDY FOR “THE LITERATE”21,6x27,8 cm PENCIL AND PASTEL ON PAPER |
|
222 | 2001 |
STUDY FOR “THE DEATH OF BISHOP”39,5x52 cm PENCIL AND OIL ON PAPER |
|
228 | 1985 |
STUDY FOR “SQUARING THE CIRCLE”34,5x50 cm CHALKS AND INK ON PAPER |
|
330 | 1988 |
STUDIO FOR MIRROR60x90 cm PENCIL, OILY PASTEL AND TEMPERA ON PAPER |
|
240 | 1992 |
STUDY FOR SELF PORTRAIT WITH THE WHEEL OF SATURN27,7x32,6 cm PASTEL ON PAPER |
|
244 | 1993 |
STUDY FOR DEAR FRIEND23,7x32,8 cm PENCIL AND OILY PASTEL ON PAPER |
|
243 | 1994 |
STUDY FOR GREETING OF THE SICK28x34,3 cm PENCIL AND OILY PASTEL ON PAPER |
|
221 | 1994 |
STUDY FOR IN RATIONE SOLITUDO34,8x37,3 cm PENCIL AND PASTEL ON PAPER |
|
239 | 1996 |
STUDY FOR THE LITTLE DOG WITH SANTA AND AMORINO29,7x19,7 cm INK AND CRAYON ON PAPER |
|
245 | 1988 |
STUDY FOR REST IN SUMMER40x39,8 cm INK AND PASTEL ON PAPER |
|
031 | 1972 |
STUDY FOR AN OPINION35x35 cm INK ON PAPER |
|
359 | 1978 |
STUDY FOR A PORTRAIT OF FLAVIA THREE YEARS24x31,7 cm PENCIL AND PASTEL ON PAPER |
|
487 | 2019 |
STUDY FOR: THE NEW APARTMENT30X40 cm MIXED TECHNIQUE ON PAPER |
|
363 | 1983 |
STUDY: NOT WRITTEN STORIES25x35 cm INK AND PASTEL ON PAPER |
|
364 | 1983 |
STUDY: NOT WRITTEN STORIES25x35 cm INK AND PASTEL ON PAPER |
|
311 | 1974 |
STUDY: HONEYMOON25x35 cm INK AND PASTEL ON PAPER |
|
355 | 1974 |
STUDIO FOR: TRAVEL IN THE SEA WITH HORSE25x35 cm INK ON PAPER |
|
178 | 1993 |
AMAZEMENT16x49,5 cm ETCHING, SOFT-GROUND, AQUATINT, ACID DIRECT ON ZINC |
|
493 | 2023 |
WONDER OF CHILD HOOD100x70 cm OIL ON WOOD |
- FUTURAE EXSTINGUETUR CUM PRAETERITIS ET OMNIUM MEMORIA SUBMERGETUR. NIHIL UMQUAM FUIT - |
494 | 2023 |
WONDER OF CHILD HOOD - DETAIL100x70 cm OIL ON WOOD |
THE MANY YELLOW AUTUMN LEAVES RUSTLED HAPPINESS UNDER MY LITTLE FEET, READY FOR THE NEW WINTER |
119 | 2000 |
RAPE30x40 cm OIL ON POLYCARBONATE |
|
089 | 1991 |
ON THE RIVER29,6x38,8 cm MONOTYPE |
|
090 | 1991 |
ON THE RIVER29,6x38,8 cm MONOTYPE - 2nd IMPRESSION |
|
441 | 1993 |
ABOUT LOVE120x90 cm OIL ON WOOD |
BRINGS EVERYTHINGS YOU LOVE,DESIRING THE EMRACE OF BEAUTY ROUNTED UP.PLAYFUL AND SWEET YOU SURRENDERED TO THE GAME. |
429 | 2014 |
ON THE VIA STREET60x45 cm OIL ON WOOD |
|
298 | 1970 |
PRIDE24x33,1 cm INK ON PAPER |
THE SACRED PRIDE. |
050 | 1973 |
DEVELOPMENT BY 13 POINTS -181x57 cm INK AND TEMPERA ON PAPER |
|
051 | 1973 |
DEVELOPMENT BY 13 POINTS - 281x57 cm INK AND TEMPERA ON PAPER |
|
052 | 1973 |
DEVELOPMENT BY 13 POINTS - 381x57 cm INK AND TEMPERA ON PAPER |
|
053 | 1973 |
DEVELOPMENT BY 13 POINTS - 481x57 cm INK AND TEMPERA ON PAPER |
|
054 | 1973 |
DEVELOPMENT BY 13 POINTS - 581x57 cm INK AND TEMPERA ON PAPER |
|
055 | 1973 |
DEVELOPMENT BY 13 POINTS - 681x57 cm INK AND TEMPERA ON PAPER |
|
056 | 1973 |
DEVELOPMENT BY 13 POINTS - 781x57 cm INK AND TEMPERA ON PAPER |
|
057 | 1973 |
DEVELOPMENT BY 13 POINTS - 881x57 cm INK AND TEMPERA ON PAPER |
|
079 | 1974 |
TOILETTE E CICISBEO24,5x34,8 cm TECHNICAL IN RELIEF ON ZINC |
|
115 | 1982 |
IVORY TOWER21,7x56,8 cm OIL ON WOOD |
|
252 | 1978 |
WADER17x24 cm OIL AND OILY PASTEL ON CARDBOARD |
|
302 | 1977 |
THREE FIGURES26x27,8 cm PENCIL AND OILY PASTEL ON CARDBOARD |
|
462 | 2006 |
A CORNER OF OUR HOUSE24,5x31,8 cm ENGRAVING-MIXED TECHNIQUE ON ZINC |
|
015 | 1985 |
A FLOWER CUT34,5x50 cm CHALKS AND INK ON PAPER |
|
034 | 1996 |
THEY SOLARINO A WOLF!39x57 cm BLACK PENCIL AND OILY PASTEL ON PAPER |
|
078 | 1995 |
A MOMENT OF SADNESS32,2x24,5 cm MEZZOTINT, ETCHING, AQUATINT ON ZINC |
|
284 | 1995 |
A MOMENT OF SADNESS70x81 cm OIL ON WOOD |
|
006 | 1986 |
A DREAM50x70 cm OIL ON PAPER |
MEI IMAGO PICTA ET MALA CYDONIA (SELF- PORTRAIT WITH APPLES QUINCES) |
480 | 2018 |
A CLEAR UNACCOUNTABLE DAY130X100 cm MIXED TECHNIQUE ON WOOD |
|
151 | 1991 |
A PRESENCE24,8x15,5 cm METHOD INK AND AQUATINTA ON ZINC |
|
380 | 1976 |
ONE STORY60x60 cm OIL AND TEMPERA ON CANVAS |
|
100 | 1999 |
MAN AND FLAG32,8x23,7 cm OIL ON PAPER |
|
129 | 2005 |
EVERYTHING IS ALRIGHT47,7x27,5 cm OIL ON WOOD |
|
290 | 2010 |
VALLEY30x24 cm OIL ON WOOD |
|
393 | 1979 |
TOWARDS EVENING50x50 cm OIL ON CANVAS |
|
469 | 1975 |
BY THE HEARTH80x80 cm MIXED MEDIA ON CANVAS |
|
450 | 2012 |
NEXT TO BERGAMO15x14 cm INK ON CARTON PLUME |
|
247 | 1981 |
VIR ET MULIER12x42 + 12x42 cm TWO OIL BOARDS |
|
404 | 1976 |
VISITING THE SICK CONFRERE50x70 cm OIL ON CANVAS |
|
453 | 2016 |
A VISIT TO THE MUSEUM30x35 cm MIXED TECHNIQUE ON CARTON PLUME |
OH, IMMEASURABLE BEAUTY! |
206 | 1984 |
VISIT HOME17,7x23,3 cm RELIEF, WHEEL, ETCHING, AQUATINT, ACID DIRECT ON ZINC |
|
227 | 1984 |
VISIT HOME39,5x28 cm INK ON PAPER |
|
422 | 2010 |
IT VISITS IN THE ATELIER35x60 cm OIL AND OILY PASTEL ON WOOD |
|
231 | 1985 |
PASTORAL VISIT34,5x50 cm PASTEL ON PAPER |
|
268 | 1997 |
EXPRESSIVE FACE16,4x23,9 cm WATERCOLOR ON PAPER |
|
122 | 2000 |
WEB.CAM28x38 cm OIL ON PAPER |
|